’ ‘And now we know also who is the prétendant, Mademoiselle Charvill. For the most part these were detached people: men practising the plastic arts, young writers, young men in employment, a very large proportion of girls and women—self-supporting women or girls of the student class. You will never be happy with this hanging over you. Very romantic and all that. She was already a little prepared by her discursive reading and discussion under the Widgett influence for ideas and “movements,” though temperamentally perhaps she was rather disposed to resist and criticise than embrace them. “Julian, I don’t want to get married!” She blinked in 119 disbelief as she saw how hurt he was by her reply.
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