“The surgeon’s knife is surely a kindly weapon,” she declared. "And who is this Van Gal—Gal—what's his outlandish name?" "Van Galgebrok," replied the widow. There was a tearing sound as the canvas gave way, and the precious portrait ripped apart as the top of the Frenchman’s head came through it. She launched into a stuffy Partita 89 and played it too fast. Four prisoners, termed "The Partners," had charge of this hold. But in his presence a wall of diffidence and timidity encompassed her. In the sixth center row sat an unexpected guest, his Classical Greek features stark in the yellow half light. ‘Very well, arrest me.
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