Then Melusine jumped back into the fencer’s pose, on guard, the point of the wicked blade directed towards her enemy. The walls were bare, and painted in stone-colour; the floors, devoid of carpet; the beds, of hangings; the windows, of blinds; and, excepting in the thief-taker's own audience-chamber, there was not a chair or a table about the premises; the place of these conveniences being elsewhere supplied by benches, and deal-boards laid across joint-stools. Sheppard looked fixedly at him, as if she would penetrate the gloomy depth of his soul. So the talk went on, and presently they were criticising novelists, and certain daring essays of Wilkins got their due share of attention, and then they were discussing the future of the theatre. He remained listening attentively. Some of the lunatics were rattling their chains; some shrieking; some singing; some beating with frantic violence against the doors. And so sudden and well-directed was the assault, that he completely overthrew his gigantic antagonist. .
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