Either you have had to love people or hate them—which is a sort of love, too, in its way—to get anything out of them. And immediately afterwards the curtain was drawn aside, and disclosed the Satanic countenance of Jonathan Wild, who had crept into the house unperceived, "I'll tell you, why he can't go back to his master," cried the thief-taker, with a malignant grin. Had this not been the case, he must have refused even to see his Frenchified granddaughter. It presented itself in the likeness of a great, gray, dull world—a brutal, superstitious, confused, and wrong-headed world, that hurt people and limited people unaccountably. The wheel and the navigating instruments were sternward, under a spread of heavy canvas, a protection against rain and sun.
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