Manning’s handwriting had an air of being clear without being easily legible; it was large and rather roundish, with a lack of definition about the letters and a disposition to treat the large ones as liberal-minded people nowadays treat opinions, as all amounting to the same thing really—a yearssmoothed boyish rather than an adult hand. “Of course, one lives differently in Paris, but then—Paris is Paris. The night before they made McClintock's Ruth and Spurlock leaned over the rail, their shoulders touching. “I think,” he said, “that you have found the real home of the lotus-eaters. On taxing his recollection, the whole circumstance rushed to mind with painful distinctness.
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