The London backgrounds, in Bloomsbury and Marylebone, against which these people went to and fro, took on, by reason of their gray facades, their implacably respectable windows and window-blinds, their reiterated unmeaning iron railings, a stronger and stronger suggestion of the flavor of her father at his most obdurate phase, and of all that she felt herself fighting against. Clotilde flew into a rage, crying, “How dare you lay claim to my children! I am their mother! This is a Godless house!” She accused. And yet, Spurlock was afraid of the doctor; so was Ruth. .
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