“Poor Lucy!” Cathy exclaimed as she rushed in the door, umbrella sheathed. She had looked up from her seat at the small round table in the centre of the parlour which, together with the wooden armchairs beside the small fireplace, and a sideboard next the single casement, was all the furniture the place afforded. She worried for her father in Mantua, 28 hoping that he was still alive. Words were given with their original meaning, without their ramifications. Young, not much older than she was: she was twenty and he was possibly twenty-four. The whole place and everything in it aimed at one thing—to illustrate, to elaborate, to criticise and illuminate, and make ever plainer and plainer the significance of animal and vegetable structure.
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